Andrew Quintman, Kurtis R. Schaeffer
1–5
Table of Contents
Gedun Rabsal, Nicole Willock
7–46
Our translation and analysis of sections of the epic poem, “Avadāna of Silver Flowers” showcases Tibetan-language poetics or “nyen-ngak” (snyan ngag). ... More
Brandon Dotson
47–73
“The Tale of the Separation of Horse and Kiang,” a 9th- or 10th-century Tibetan ritual text recovered from Dunhuang, is a work of both simplicity and of ext... More
Leonard W.J. van der Kuijp
75–109
The poetic oeuvre of many Tibetan writers still remains relatively unexplored. The present essay deals with several pertinent aspects of the poetic oeuvre of Mk... More
Sarah Harding
111–137
Songs (mgur) were one of the most iconic and popular forms of literature in Tibet, continuing to the present day. Lying somewhere between simple folk songs (glu... More
Dondrup Gyal, Lowell Cook
139–166
Palmo; Lama Jabb
167–170
Lhashamgyal, Rongwo Lugyal
171–183
Janet Gyatso
185–209
This essay explores some of the outstanding literary flourishes of Tsangnyon Heruka’s Mila Life Story and attempts to analyse how they work in the narrative... More
Lama Jabb
211–226
With the exception of a few remarkable female luminaries, traditional Tibetan literature hardly has any room for the public voice of Tibetan women. Women have b... More
Gedun Rabsal
227–241
Gedun Rabsal discusses the origin story of his new Tibetan rendition of Jack Kerouac’s On the Road, his fascination with Ernest Hemingway, his approach to the... More
Tashi Dekyid Monet
243–247
A conference report on the Tibetan Women Writing Symposium held at the University of Virginia, Charlottesville, in April 2022. The symposium focused on explorin... More
Tenzing Rigdol
249–250
