Tibetan Language Works

Nyang ral nyi ma ’od zer (1124–1192). 1988. Chos ’byung me tog snying po sbrang rtsi’i bcud. Lhasa: Bod ljongs mi dmangs dpe skrun khang. https://purl.bdrc.io/resource/W7972

Nyi ma tshe ring. 2012. “Dga’ bzhi ba’i mi rabs kyi byung ba brjod pa zol med gtam gyi rol mo yi skor gleng ba.” Bod ljongs sgyu rtsal zhib ’jug 2: 112–23.

Bstan ’dzin dpal ’byor. 1987. Rdo ring paṇḍi ta’i rnam thar. 2 vols. Chengdu: Si khron mi rigs dpe skrun khang. https://purl.bdrc.io/resource/MW1PD96348

Padma dbang chen. 2014. “Bod kyi lha mo’i ’khrab gzhung rtsom rig dang rnam thar rtsom rig gi khyad par skor.” In Lcags zam dang lha mo: Bod kyi lha mo’i skor gyi dpyad rtsom bdoms, edited by Tsha rti Phun tshogs don grub, 204–14. Lhasa: Bod ljongs bod yig dpe mying dpe skrun khang.

Bod kyi lha mo’i ’khrab gzhung (Tibetan Aché Lhamo Librettos). 1989. Edited by ’Phrin las chos grags. Lhasa: Bod ljongs mi dmangs dpe skrun khang.

Ma ṇi bka’ ’bum (Collection of Jewel Instructions). 2013. Vol. 1. Lhasa: Bod ljongs mi dmangs dpe skrun khang. https://purl.bdrc.io/ressource/ MW3CN5561

Tsong kha pa blo bzang grags pa (1357–1419). 1987. Rje thams cad mkhyen pa Tsong kha pa chen po’i bka’ ’bum thor bu. Xining: Mtsho sngon mi rigs dpe skrun khang. https://purl.bdrc.ioressourcee/MW486

Tshal pa kun dga’ rdo rje (1309–1364). 1961. Deb ther dmar po (The Red Annals Part One: Tibetan text). Edited by Palden Thondup Namgyal. Gangtok, Sikkim: Namgyal Institute of Tibetol- ogy. https://purl.bdrc.io/resource/W16476

Tshe ring thar. 1991–1992. “Bod kyi gna’ rabs sgrung gtam la saṃskrīta’i skad kyi rtsom rig gi shan zhugs pa’i skor gyi dpyad pa.” In Bod kyi shes rig dpyad rtsom phyogs bsgrigs, edited by Blo bzang blo gros, 74–117. Beijing: Krung go’i bod kyi shes rig dpe skrun khang. https://purl.bdrc.io/resource/W21824

Hor khang bsod nams dpal ’bar. 1992. “Lha mo’i gzhung brgyad kyi khungs bstan pa ’phrul gyi rgyangs shel.” Bod ljongs sgyu rtsal zhib ’jug 2: 1–13.

Canonical Sources

Āryajinaputra Arthasiddhi Sūtra.’Phags pa rgyal bu don grub kyi mdo. Pedurma Kangyur, Mdo sde, vol. 76, 161–204. A371. https://purl.bdrc.io/resource/MW1PD96682_0371

European Language Works

Angowski, Elizabeth J. 2019. “Literature and the Moral Life: Reading the Early Biography of the Tibetan Queen Yeshe Tsogyal.” Ph.D. thesis, Harvard University.

Bacot, Jacques. 1924. Three Tibetan mysteries: Tchrimekundan, Nasal, Djroazanmo, as performed in the Tibetan monasteries. Translated by H. I. Woolf. London: G. Routledge & Sons.

Blondeau, Anne-Marie. 1973. La vie de Pema-Öbar: drame Tibétain. Paris: Publications oriental- istes de France.

———. 2011. “The Life of the Child Padma ’od-’bar: from the theatre to the painted image.” The Tibet Journal 36.1: 47–73.

Capps, Walter H. 2005. “Society and Religion.” In Encyclopedia of Religion, edited by Lindsay Jones, 8461–70. Detroit: Macmillan Reference USA.

Cüppers, Christoph, and Per K. Sørensen. 1998. A Collection of Tibetan Proverbs and Sayings: Gems of Tibetan wisdom and wit. Stuttgart: F. Steiner.

Davidson, Ronald M. 2005. Tibetan Renaissance: Tantric Buddhism in the Rebirth of Tibetan Cul- ture. New York: Columbia University Press.

Dreyfus, Georges. 1994. “Proto-Nationalism in Tibet.” In Tibetan Studies: Proceedings of the 6th Seminar of the International Association for Tibetan Studies, Fagernes 1992, edited by Per Kværne, 205–18. Oslo: Institute for Comparative Research in Human Culture.

Duncan, Marion H. 1967. More Harvest Festival Dramas of Tibet. London: Mitre Press.

Erhard, Franz Xaver. 2018. “Inner Emigration and Concealed Writing. Folk Literary Elements in Contemporary Fiction from Tibet.” In Tibetan Subjectivities on the Global Stage: Negotiating Dispossession, edited by Shelly Bhoil and Enrique Galvan-Alvarez, 133–51. Lanham: Lexington Books.

Fitzgerald, Kati. 2018. ““My Beautiful Face, the Enemy of Dharma Practice”: Variations in the Textual History of Nangsa Ohbum.” Asian Ethnology 77.1/2: 145–68.

Henrion-Dourcy, Isabelle. 2017. Le théâtre ache lhamo: jeux et enjeux d’une tradition tibétaine. Leuven: Peeters.

Kapstein, Matthew T. 2000. The Tibetan Assimilation of Buddhism: Conversion, Contestation, and Memory. Oxford: Oxford University Press.

———. 2003. “The Indian Literary Identity in Tibet.” In Literary Cultures in History, edited by Pollock Sheldon, 747–802. Berkeley: University of California Press.

Kaschewsky, Rudolf, and Pema Tsering. 1975. Das Leben der Himmelsfee ’Gro ba bzang mo: ein buddhistisches Theaterstück. Vienna: Octopus Verlag.

Kilty, Gavin. 2019. Tales from the Tibetan Opera. Somerville: Wisdom Publications.

Kristeva, Julia.1980. Desire in Language: A Semiotic Approach to Literature and Art. Translated by Thomas Gora, Alice Jardine, and Leon S. Roudiez. New York: Columbia University Press, 1980.

Lefèvre, Corinne. 2013. “State-building and the Management of Diversity in India (Thirteenth to Seventeenth Centuries).” The Medieval History Journal 16.2: 425–47.

Lin, Nancy G. 2011. “Adapting the Buddha’s Biographies: A Cultural History of the Wish-Ful- filling Vine in Tibet, Seventeenth to Eighteenth Centuries.” Ph.D. thesis, University of Cali- fornia, Berkeley.

Mair, Victor H. 1994. “Buddhism and the Rise of the Written Vernacular in East Asia: The Mak- ing of National Languages.” The Journal of Asian Studies 53.3: 707–51.

Norbu, Namkhai. 2005. “Provocations of the Gyalpo.” Tibetan Buddhism in the West. Accessed 10 May 2023. https://info-buddhism.com/dorje_shugden_Choegyal_Namkhai_Norbu.html

Obelkevich, James. 1987. “Proverbs and Social History.” In The Social History of Language, edited by Peter Burke and Roy Porter, 43–72. Cambridge: Cambridge University Press.

Pirie, Fernanda. 2009. “The Horse with Two Saddles: Tamxhwe in modern Golok.” Asian High- lands Perspectives 1: 205–27.

Pollock, Sheldon. 2002. “Cosmopolitan and Vernacular in History.” In Cosmopolitanism, edited by Carol A. Breckenridge, Sheldon Pollock, Homi K. Bhabha and Dipesh Chakrabarty, 15–53. New York, USA: Duke University Press.

Robin, Françoise. 2003. “La littérature de fiction d’expression tibétaine au Tibet (R.P.C.) depuis 1950: sources textuelles anciennes, courants principaux et fonctions dans la société contempo- raine tibétaine.” Ph.D. thesis, Institut national des langues et civilisations orientales.

Roesler, Ulrike. 2014. “Operas, Novels, and Religious Instructions: Life-stories of Tibetan Bud- dhist Masters between Genre Classifications.” In Narrative Pattern and Genre in Hagiographic Life Writing: Comparative Perspectives from Asia to Europe, edited by Stephan Conermann and Jim Rheingans, 113–39. Berlin: EB Verlag.

———. 2015. “Narratives: Tibet.” In Brill’s Encyclopedia of Buddhism, edited by Jonathan Silk, Richard Bowring and Vincent Eltschinger, 515–23. Leiden: Brill.

Salamon, Hagar, and Harvey E. Goldberg. 2012. “Myth-Ritual-Symbol.” In A Companion to Folklore, edited by Regina F. Bendix and Galit Hasan-Rokem, 119–35. Malden, Mass.: Wiley-Blackwell.

Smith, E. Gene. 2001. Among Tibetan Texts: History and Literature of the Himalayan Plateau. edited by Kurtis R. Schaeffer. Boston, MA: Wisdom Publications.

Sørensen, Per K. 1994. The Mirror Illuminating the Royal Genealogies: Tibetan Buddhist Histo- riography. Wiesbaden: Harrassowitz.

———. 2010. “Prolegomena to Tibetan Folk Literature and Popular Poetic Idiom: Scope and Typology.” In Xiyu Lishi Yuyan Yanjiu Jikan, edited by Weirong Shen, 145–68. Beijing: Kexue Publishing House.

———. 2018. “Srong btsan sgam po Revisited: Ancestral King, Monarchic Founder, Buddhist Saviour Saint and Cultural Hero.” In Xizang zongpu: Jinian Guge Cirenjiabu Zangxue Lunwen Ji, edited by Guntram Hazod and Weirong Shen, 153–90. Beijing: Zhongguo zangxue chubanshe.

Sørensen, Per K., and Franz Xaver Erhard. 2013. “An Inquiry into the Nature of Tibetan Proverbs.” Proverbum 30: 281–309.

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Townsend, Dominique. 2021. A Buddhist Sensibility: Aesthetic Education at Tibet’s Mindröling Monastery. New York: Columbia University Press.

Tsepak, Tenzin. 2021. “The Mirror: Tibetan intellectuals in pursuit of Indic poetics (1250–1800).” Ph.D. thesis, Department of Central Eurasian Studies, Indiana University.

Tsering, Tashi. 2001. “Reflections on Thang stong rgyal po as the founder of the a lce lha mo tradition of Tibetan performing arts.” Lungta 15: 36–60.

———. 2007. “On the Dates of Thang Tong Gyalpo.” In The Pandita and the Siddha: Tibetan Studies in Honor of E. Gene Smith, edited by Roman Prats, 268–78. Dharamsala: Amnye Machen Institute.

van der Kuijp, Leonard W. J. 1994. “Fourteenth Century Tibetan Cultural History 1: Ta’i-si-tu Byang-chub rgyal-mtshan as a Man of Religion.” Indo-Iranian Journal 37.2: 139–49. Waddell, Lawrence A. 1895. The Buddhism of Tibet or Lamaism. London: W. H. Allen & Co., Limited.

Wang, Yao. 1985. “Tibetan Operatic Themes.” In Soundings in Tibetan Civilization, edited by Barbara Nimri Aziz and Matthew Kapstein, 86–96. New Delhi: Manohar Publications.

Wernsdörfer, Martina. 2017. “Choegyal Drimed Kuenden. Der Prinz, der alles hingab, um Erleuchtung zu erlangen.” In HinGabe. Das Vessantara-Epos in Rollbildern und Dorffesten Nor- dost-Thailands, edited by Thomas Kaiser, Leedom Lefferts and Martina Wernsdörfer, 174–91. Zurich: Völkerkundemuseum der Universität Zürich.